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ravel had written the second part in 1887, at the request of the comtesse greffulhe, who had commissioned and promised to pay for it. writing to her, on 10 september, ravel told her how the pavane had been composed, about why he had employed the slow rhythmic pattern of "real equilibrar," and why he had modelled the second part after "la sarabande espagnole."

esteemed leaders of the string orchestra community, prepare to be challenged and inspired by masterful new interpretations of 20 of the best-loved compositions for string orchestra. from the provocative and brilliant tone poems of richter and faur, to the elegantly soulful beauties of bach and bizet, you'll hear the instrument to its fullest potential in an unexpected context.

esteemed leaders of the string orchestra community, prepare to be challenged and inspired by masterful new interpretations of 20 of the best-loved compositions for string orchestra. from the provocative and brilliant tone poems of richter and faur, to the elegantly soulful beauties of bach and bizet, you'll hear the instrument to its fullest potential in an unexpected context.

debussy, roussel and giraud set a precedent that would be followed by many writers of the same period, notably the young erik satie. debussy would continue to produce twelve such works for solo piano or piano with orchestra, not necessarily in formal sonata form, but usually written for the piano.

in his lifetime, ravel had composed eight works for piano that did not fit into a sonata-allegro structure. the pavane is the fifth of them, and the only one which did not come out a long, 36-minute number. the others were : 84d34552a1